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El Tango
Duo Assad

El Tango

1997 / Elektra/Asylum/Nonesuch

A project by violinist Gidon Kremer, featuring exceptional musicians including bandoneonist Per Arne Glorvigen, pianist Vadim Sakharov, and the Assad brothers. The album delves into the emotional depth and complexity of nuevo tango, with arrangements by Sérgio Assad for pieces such as Revirado and Che Tango Che by Astor Piazzolla.

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Viva Brazil – Live EP
2012

Viva Brazil – Live EP

A live EP by renowned cellist Yo-Yo Ma, featuring Kathryn Stott (piano), Joseph Gramley (percussion), and the Assad Duo. The recording captures both classical and contemporary Brazilian music, interpreted with virtuosity and sensitivity.

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Jardim Abandonado
2007

Jardim Abandonado

In their seventh album for Nonesuch, Jardim Abandonado, Sérgio and Odair present a selection of pieces from their performance repertoire of the past ten years. The album was nominated for two Latin Grammy Awards, including Best Classical Album, and won in the category of Best Classical Contemporary Composition for Sérgio Assad's Tahhiyya Li Ossoulina. The album pays tribute to Brazilian master Antônio Carlos Jobim, featuring three of his compositions, along with original works by Sérgio Assad, his daughter Clarice Assad, and transcriptions of pieces by Darius Milhaud and Claude Debussy.

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Sérgio & Odair Assad Play Rameau/Scarlatti/Couperin/Bach
1993

Sérgio & Odair Assad Play Rameau/Scarlatti/Couperin/Bach

In their third album for the Nonesuch label, the Assad Duo performs transcriptions of Baroque works arranged by Sérgio Assad. Though primarily known for their work with Latin American repertoire, the brothers also stood out for their technically refined approach and sensitivity in interpreting Baroque music.

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Complete Works for Solo Guitar by Villa-Lobos
1978

Complete Works for Solo Guitar by Villa-Lobos

The first complete edition of the solo guitar works of Heitor Villa-Lobos. This recording represents an important milestone in consolidating the Brazilian classical guitar repertoire, bringing together compositions that are now considered essential in the instrument's concert tradition. The album contributes to the dissemination of Villa-Lobos' legacy and affirms the guitar's role as an expressive and authentic voice of Brazilian music.

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