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Fuga y Misterio – Odair Assad solo
Duo Assad

Fuga y Misterio – Odair Assad solo

1998 / GHA

The first solo recording by Odair Assad, solidifying his artistic identity beyond the acclaimed Duo Assad. With a repertoire including works by Radamés Gnattali, Astor Piazzolla, and Stepan Lucky, the album explores the intersection between Latin American chamber music and the European guitar tradition.

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Obrigado Brazil: Live in Concert – Yo-Yo Ma
2004

Obrigado Brazil: Live in Concert – Yo-Yo Ma

Recorded live at the American Academy of Arts and Letters in New York, this album captures the vibrant atmosphere of the Obrigado Brazil tour. Yo-Yo Ma is joined by Sérgio and Odair Assad, Cyro Baptista, Paquito D'Rivera, and other Brazilian musicians in live performances that reflect the energy and spontaneity of the project. The repertoire spans Brazilian classics and contemporary works in arrangements that celebrate cultural and sonic fusion.

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Lo Que Vendrá
1995

Lo Que Vendrá

An album featuring works by Spanish composer Joaquín Rodrigo, Brazilian composer Radamés Gnattali, and Argentine Astor Piazzolla. A true musical encounter across the Americas.

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The Debut Concert: Live in Brussels
1983

The Debut Concert: Live in Brussels

Recorded live on November 4, 1983, at the Salle du Conservatoire Royal de Bruxelles, this concert marked the Assad Duo's artistic debut in Europe. The performance was broadcast by RTBF (Radio Télévision Belge Francophone), the public broadcaster of the French Community of Belgium, allowing thousands of listeners to discover the virtuosity and musical expressiveness of the Brazilian brothers.

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Complete Works for Solo Guitar by Villa-Lobos
1978

Complete Works for Solo Guitar by Villa-Lobos

The first complete edition of the solo guitar works of Heitor Villa-Lobos. This recording represents an important milestone in consolidating the Brazilian classical guitar repertoire, bringing together compositions that are now considered essential in the instrument's concert tradition. The album contributes to the dissemination of Villa-Lobos' legacy and affirms the guitar's role as an expressive and authentic voice of Brazilian music.

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