Natsu no Niwa Suite

1994 / GHA

Soundtrack composed by Sérgio and Odair Assad for the Japanese film Natsu no Niwa (The Friends) directed by Shinji Somai. The film tells the story of how the relationship between three boys and a lonely old man evolves—from a childlike curiosity about death into a deep friendship marked by listening, care, and memory.

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1995

White Moon: Songs to Morpheus

An album by American soprano Dawn Upshaw featuring works spanning four centuries in a collection dedicated to Morpheus, the god of sleep. With a mystical and dreamlike atmosphere, the repertoire weaves through different periods and styles, incorporating, among other sounds, the guitars of Sérgio and Odair Assad.

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1985

Latin American Music for Two Guitars

Debut album of the Assad Duo on the American label Nonesuch, it features works by Latin American composers, including Tango Suite by Astor Piazzolla, written especially for and dedicated to the Assad brothers, as well as original compositions by Sérgio Assad. The repertoire highlights the rhythmic and harmonic elements characteristic of Latin American music, explored with precision and interpretive depth. The album marks the beginning of the duo's collaboration with the label and reinforces their central role in promoting the Latin American guitar repertoire on the international stage.

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1983

The Debut Concert: Live in Brussels

Recorded live on November 4, 1983, at the Salle du Conservatoire Royal de Bruxelles, this concert marked the Assad Duo's artistic debut in Europe. The performance was broadcast by RTBF (Radio Télévision Belge Francophone), the public broadcaster of the French Community of Belgium, allowing thousands of listeners to discover the virtuosity and musical expressiveness of the Brazilian brothers.

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1978

Complete Works for Solo Guitar by Villa-Lobos

The first complete edition of the solo guitar works of Heitor Villa-Lobos. This recording represents an important milestone in consolidating the Brazilian classical guitar repertoire, bringing together compositions that are now considered essential in the instrument's concert tradition. The album contributes to the dissemination of Villa-Lobos' legacy and affirms the guitar's role as an expressive and authentic voice of Brazilian music.

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