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Two Concertos for Two Guitars
Duo Assad

Two Concertos for Two Guitars

1991 / GHA

An album recorded by the Assad brothers with the St. Gallen Symphony Orchestra of Switzerland, under the baton of Brazilian conductor John Neschling. The repertoire includes Concierto Madrigal by Spanish composer Joaquín Rodrigo, widely recognized for his guitar works, and Concerto Op. 201 by Italian composer Mario Castelnuovo-Tedesco, whose music is essential to the classical guitar canon.

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El Caminante – Odair Assad solo
2010

El Caminante – Odair Assad solo

Odair Assad's second solo album, El Caminante, presents a refined contemporary guitar repertoire. It begins with Sonata del Caminante, composed especially for Odair by Leo Brouwer, and includes works by Egberto Gismonti, Roland Dyens, and Kevin Callahan. Recorded with precision and interpretative depth, the album traverses diverse musical languages while highlighting Odair's technical maturity and expressive artistry.

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Concierto de Volos – Concierto de Aranjuez – Serenade opus 50
2002

Concierto de Volos – Concierto de Aranjuez – Serenade opus 50

A classical album featuring three important works for guitar and orchestra. Odair Assad performs Serenade Op. 50 by Malcolm Arnold, while other guest soloists interpret Concierto de Aranjuez (Joaquín Rodrigo) and Concierto de Volos (Leo Brouwer), conducted by Leo Brouwer himself. A recording that highlights the excellence of the guitar in orchestral settings.

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Sérgio and Odair Assad Play Piazzolla
2001

Sérgio and Odair Assad Play Piazzolla

A tribute to the great Argentine composer Astor Piazzolla, adapted for two guitars. Originally influenced by tango and classical music, Piazzolla's compositions take on new dimensions through the precise arrangements and technical brilliance of the Assad brothers, emphasizing the rhythmic and harmonic complexity of nuevo tango. The album won the Latin Grammy Award for Best Tango Album.

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Velho Retrato – Sérgio Assad solo
1999

Velho Retrato – Sérgio Assad solo

A solo recording by Sérgio Assad in a unique collaboration with Italian clarinetist Gabriele Mirabassi. Featuring entirely original compositions, the album was recorded in the Sagrestia della Chiesa di Sant'Agostino in Perugia, exploring the intersection between chamber music writing and improvisational language.

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