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El Caminante – Odair Assad solo
Duo Assad

El Caminante – Odair Assad solo

2010 / GHA

Odair Assad's second solo album, El Caminante, presents a refined contemporary guitar repertoire. It begins with Sonata del Caminante, composed especially for Odair by Leo Brouwer, and includes works by Egberto Gismonti, Roland Dyens, and Kevin Callahan. Recorded with precision and interpretative depth, the album traverses diverse musical languages while highlighting Odair's technical maturity and expressive artistry.

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O Clássico Violão Popular Brasileiro
2015

O Clássico Violão Popular Brasileiro

A commemorative album marking 50 years of Sérgio and Odair Assad's career, this recording pays tribute to key composers in the history of Brazilian guitar. The repertoire spans pioneers to modern masters, including João Pernambuco, Heitor Villa-Lobos, Garoto, Baden Powell, Luiz Bonfá, Egberto Gismonti, and Radamés Gnattali.

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Sérgio and Odair Assad Play Piazzolla
2001

Sérgio and Odair Assad Play Piazzolla

A tribute to the great Argentine composer Astor Piazzolla, adapted for two guitars. Originally influenced by tango and classical music, Piazzolla's compositions take on new dimensions through the precise arrangements and technical brilliance of the Assad brothers, emphasizing the rhythmic and harmonic complexity of nuevo tango. The album won the Latin Grammy Award for Best Tango Album.

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White Moon: Songs to Morpheus
1995

White Moon: Songs to Morpheus

An album by American soprano Dawn Upshaw featuring works spanning four centuries in a collection dedicated to Morpheus, the god of sleep. With a mystical and dreamlike atmosphere, the repertoire weaves through different periods and styles, incorporating, among other sounds, the guitars of Sérgio and Odair Assad.

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Sérgio & Odair Assad Play Rameau/Scarlatti/Couperin/Bach
1993

Sérgio & Odair Assad Play Rameau/Scarlatti/Couperin/Bach

In their third album for the Nonesuch label, the Assad Duo performs transcriptions of Baroque works arranged by Sérgio Assad. Though primarily known for their work with Latin American repertoire, the brothers also stood out for their technically refined approach and sensitivity in interpreting Baroque music.

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