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White Moon: Songs to Morpheus
Duo Assad

White Moon: Songs to Morpheus

1995 / Elektra/Asylum/Nonesuch

An album by American soprano Dawn Upshaw featuring works spanning four centuries in a collection dedicated to Morpheus, the god of sleep. With a mystical and dreamlike atmosphere, the repertoire weaves through different periods and styles, incorporating, among other sounds, the guitars of Sérgio and Odair Assad.

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O Clássico Violão Popular Brasileiro
2015

O Clássico Violão Popular Brasileiro

A commemorative album marking 50 years of Sérgio and Odair Assad's career, this recording pays tribute to key composers in the history of Brazilian guitar. The repertoire spans pioneers to modern masters, including João Pernambuco, Heitor Villa-Lobos, Garoto, Baden Powell, Luiz Bonfá, Egberto Gismonti, and Radamés Gnattali.

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Concierto de Volos – Concierto de Aranjuez – Serenade opus 50
2002

Concierto de Volos – Concierto de Aranjuez – Serenade opus 50

A classical album featuring three important works for guitar and orchestra. Odair Assad performs Serenade Op. 50 by Malcolm Arnold, while other guest soloists interpret Concierto de Aranjuez (Joaquín Rodrigo) and Concierto de Volos (Leo Brouwer), conducted by Leo Brouwer himself. A recording that highlights the excellence of the guitar in orchestral settings.

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El Tango
1997

El Tango

A project by violinist Gidon Kremer, featuring exceptional musicians including bandoneonist Per Arne Glorvigen, pianist Vadim Sakharov, and the Assad brothers. The album delves into the emotional depth and complexity of nuevo tango, with arrangements by Sérgio Assad for pieces such as Revirado and Che Tango Che by Astor Piazzolla.

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Complete Works for Solo Guitar by Villa-Lobos
1978

Complete Works for Solo Guitar by Villa-Lobos

The first complete edition of the solo guitar works of Heitor Villa-Lobos. This recording represents an important milestone in consolidating the Brazilian classical guitar repertoire, bringing together compositions that are now considered essential in the instrument's concert tradition. The album contributes to the dissemination of Villa-Lobos' legacy and affirms the guitar's role as an expressive and authentic voice of Brazilian music.

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